From April 29th to July 30th 2011 galerie son will be showing one
of the most renowned artists of present day Korea, SUH Yongsun. The
official opening will take place on April 30th at 7 PM, but the
paintings can be seen already on the previous day, on occasion of the
Gallery Weekend Berlin.
The work of Suh Yongsun, a painter born in 1951 in Seoul, has been seen
on countless exhibitions, specially in Korea and Japan, as well as in
France and the USA. On 2009 Suh was elected Artist of the Year by the
National Museum of Contemporary Art in Korea. Between 1986 and 2008 he
was a Lecturer at the Department of Fine Arts at the Seoul National
University, where he had studied. In 1995 he spent the year abroad in
Vermont in the USA and in Melbourne in Australia. He has a special
relationship to Germany, where he was a guest lecturer in 2001 in
Hamburg. His travels took him to New York and Berlin, two towns which
particularly marked him in his painting.
One of his favorite themes is the city dweller in the tradition of
German Expressionism. The latent dangerous atmosphere, the seemingly
naive and primitive qualities of his painting are used by him to show
lonesome people, caught in the web of a metropolis, in a meaningless
plight. The artist particularly likes to depict scenes taking place in
the subway, in which simple and fragile people, the underdogs of
society, enter the steel arteries of a city to be carried in a velocity
that surpasses their power of recognition. Often depicted while
waiting, they seem at the same time to expect some other life.
The faces look bleak and anonymous as those found in the Demoiselles d’Avignon
by Picasso or in the paintings of Kirchner and Schmidt-Rottluf. The
mask-like faces of the portrayed usually don’t show
individual traits and a particular similitude, but that is perhaps the
reason why they allow the paintings to convey the depth of their
emotions which such a tremendous impact, which is comparable to that of
Francis Bacons portraits. Also because the urban life depicted,
composed of subway and bus stations, little bars and simple
restaurants, is painted in a very raw and expressive manner, with a
surface recalling the rough wood Suh uses in his sculptures. Only signs
with a few words on them allow us to locate the scenes and assume they
were inspired by such cities as New York and Berlin, amongst others.
Mankind as a victim of the lust for power, violence, the turmoil of
politics and historical events is also the subject of an impressive
series of paintings depicting the political intrigues and incidents in
the life of king Danjon of the Joseon Dinasty, hinting at present
events. The twelve year old king was brutally murdered by a rival, and
a lot of legends surround this tragic figure of Korean history.
galerie son will also show paintings of Berlin, a town which moved
the artist very much, as the separation between East and West was there
so obviously to be seen and brought him the traumatic division of his
home country more to light than even in Korea itself.
In his selfportraits, the artist’s eyes are glowing in
intense red, as his body sometimes also does. There Suh betrays himself
as the ardent observer of mankind he is, believing in the power of Art
to bring up hidden social and political issues, and revealing them in
paintings that in subject matter, in technique and in size attain the
highest visual incisiveness.
Verena ALVES-RICHTER
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